Effortlessly balancing a will to experiment with an unwavering commitment to the founding spirit of house, Danny Serrano is one of electronic music's most exciting upand-comers.

Mixing up styles and moods, but always focused firmly on the dancefloor's needs and desires, Danny sets have energy, precision and most of all, soul. Hailing from Madrid,Spain,He starts being a child. With only 8 years and with a keyboard, he begins to record, cut and paste diverse sounds Danny took to the decks at the age of 16 after experiencing sets by visiting European DJs. Inspired by the likes of Satoshi Tomiie,Lauren Garnier, and many more Danny soon realized that his future lay in music.

After a DJ residency with Bar "Refugio" and "Ritual", one of Madrid premier clubs,In 2004 Fernando Godoy (Señor Goldwind) discovers him, and hes the one who gives him the opportunity to make himself known nationally and internationally. After a stage outside Madrid, Danny starts to mix music again in club "Trance" and later in club "Groove" in Madrid,where in 2006 attracted the attention of Carlsberg, tour dedicated to all those lovers of good music and quality settings. In 2006 he began to be part of Carlsberg as a resident only Dj of Carlsberg World Wide Clubbing, as a bet of the mark by new values, promoting the national talent beside artists from the international scene.

Danny has notched up a series of high profile releases, including his breakthrough 12" is having a great acceptance with relases labels such as editing:Get Physical,Bouq, Viva Music, Suchtreflex, Noir,Saved Records,Break New Soil and many more ... enlisting the support of great artists in your productions: Luciano, Loco Dice,Steve Lawler,Richie Hawtin,Marco Carola,Joris Voorn,Reboot, Nic Fanciulli, and many more...In this year Carl Cox also include in your party ( Space Ibiza ) compilation cd "Revolution" original track to Danny Serrano "Funkify".In 2011 have also become part of the artists of the family of Saved Records,label of the prestigious DJ Nic Fanciulli.

In summer 2010/2011 Danny has been in the partys of Be @ Space Ibiza, sharing a cabin with the best deejays in the world ... also been to the Opening and Closing of Space Ibiza 2010 and Opening Space Ibiza in 2011 leaving a good impression to people who have been there!!

Known predominantly for his long standing tenure as promoter, resident and label owner for the renowned Development collective in Manchester UK, Tom Lynch aka Tomson has crammed a lot into his 28 years to date. Having played alongside luminaries such as Masters at Work, Ron Trent, Lil’ Louis, Danny Krivit, Osunlade, Dixon, Larry Heard and many others, Tom has also helped spread the consistently deep Development Music sound with regular appearances around the UK's best underground party spots as well as tours to foreign shores with gigs in Ibiza, Croatia, South Africa and more.

As a solo artist and alongside regular partner in crime Benedict, Tomson has remixed for artists such as Atjazz, Paris Brightledge, Ronnie Ron, Flowriders and Tone Control. A slew of original productions have followed with a debut single featuring the stunning vocals of Paul Randolph on Deepermotions Music, backed up by the much lauded 'Rainy Things' EP on London's world-renowned Freerange Records. The latter received support and plays from artists ranging from Josh Wink and Laurent Garnier to Deetron and Paul Woolford, who featured the tracky Telepathy Dub on his Radio 1 Essential Mix.

Taking his influences in equal measure from soul and hip hop as deep house and techno, Tomson's music comfortably morphs together inspirations old and new. This forward thinking sound has found it's way onto labels such as Freerange, Huddtraxx, Tone Control, Deepermotions, NYSoul, Development Music, Pep Sounds, Kolour, Smooth Agent and Morris Audio.

Jordi Tur is but a 24 year old guy born on the World-wide known as “Musical Paradise” island of Ibiza. ***The ibicencan night and party have been attracting loads of people from all over the world over the past four decades, since there are the best discos and DJs, internationally.

The PBR (Patrol Boat, Riverine) is a small rigid-hulled patrol boat used in the Vietnam war. The small versatile vessel could operate in shallow and weed-choked rivers with great speed and maneuverability. PBR Streetgang is the name given to the boat crew in the 1979 Vietnam film Apocalypse Now. “The crew were mostly kids. Rock and Rollers with one foot in their grave” tells Martin Sheen, in what could be described as a film that not only illuminated the Vietnam tale, but also the underlying insanity of the times.

http://www.youtube.com/watch?v=Kv31vrX_j2g

Bonar Bradberry and Tom Thorpe were christened PBR STREETGANG after a long trip to Ibiza. Ibiza is a second home to the lads as residents for world re-nowned party We Love… at Space. Tom and Bonar met through the infamous circus of the Leeds nightlife. Honing their craft at the legendary Asylum, which took the clubbing template and span it musically round its little finger. The duo shared a booth with some of the finest acts dance music has to offer, from Jazzy Jeff to Ricardo Villalobos. Much fun was had and many friends made. Many of whom follow them with great passion and zeal to all four corners of the globe today.
The pair earned great respect across the musical spectrum with fans such as Crazy P, Greg Wilson, The Unabombers, Clive Henry and Ralph Lawson. Their unique musical approach, never failing to connect with the crowd, threading Larry’s New York legacy to the Jacking underground beats of their Leeds roots.

Over the last five years, their DJ partnership has evolved into audience enthralling sets which flow effortlessly from Ableton live to the turntables via a piece of circuitry that allows both heads to mix together as one. The duo have a versatile approach of playing that allows them to easily adapting from big Festival stages and main-rooms to smaller basements and backrooms.

PBR Streetgang have released productions on labels such as 2020 Vision, Red Music, Futureboogie, E.A.R, ISM and Wolf Music. They are very excited by a forthcoming release on Jamie Jones Hot Creations in late 2011.

This is a trip up river you really shouldn’t miss.

DeepHouse

Rocco began his musical initiation at the age of 16, when he held his first pairs of decks.

“I´m neither afraid of showing my emotions nor to include them in my music” -
Stimming
Few people bring a truly original sound to house music. It’s all very well making
some nice grooves and working the dancefloor, but when it comes to longevity
and leaving an indelible mark on the genre and the wider musical sphere, you’ve
got to bring something new to the table. At a relatively young age, Hamburg’s
Martin Stimming did just that, demonstrating a sophisticated yet accessible sound
that’s beyond his years.
“I want people to see me as an evolving artist, where you never know what
exactly you get - but you know that it’s Stimming.”  
The elegance of his productions is rooted in his classical training in his native
Germany. Born in Giessen in 1983, he became highly accomplished at the violin,
piano and drums by the age of 10, giving him a solid and well-rounded musical
education and ability, and an intimate understanding of music theory. His first
electronic obsessions took hold when he was 15, discovering the joy of sampled
breaks and beats through the likes of DJ Krush and Grooverider, and a year later
when living in Butzbach (not far from techno hub Frankfurt) he fell under the
spell of DJs like Sven Väth of Chris Liebing and began hoarding vinyl. It was
around this time that he began producing music with a computer – something he
soon realised was his “destiny”.
“I think if more producers would include their own mind and feelings into their
music the whole scene would be much more flavoured and diverse which would
be good for all of us…at least in an entertaining way.”  
With his future path clearly in mind, Stimming moved to Hamburg aged 19 and
enrolled in a Electronic Music Production course at the SAE Institute, followed by
a studio internship. By 2006 he was producing bubbly deeper techno as one half
of Gebrüder Ton, and around this time he met two guys named Solomun and
Adriano, who shared a similar take and viewpoint on house and techno music.

These two new acquaintances set up their label Diynamic Music in the same year,
and soon Stimming was producing and releasing music and collaborations on the
nascent imprint, building himself the musical family that he had longed for – and
launching his solo career under his own surname in 2007. His breakthrough hit,
2008’s Una Pena, made the electronic world sit up and take notice, and before
long acclaimed labels like Freerange, liebe*detail, Buzzin’ Fly, Green and Poker
Flat were snapping up his work. 2009 saw him release his immaculate debut
album Reflections to great acclaim, cementing his reputation as one of the most
exciting new producers of his generation.

“Probably every track normally has at least one sound that is completely out of
context, but tweaked and smashed in a way that it fits.”
Amidst a sea of mediocre similarity in dance music, Martin Stimming’s work
stands out as truly different. His productions are filled with a multitude of his own
unique, charismatic field recordings, and he never uses the same sample more
than once. Nothing is sacred; sources of sound in his productions have included a
Coke can, a coffee machine, children’s toys, keys, marbles, a rubbish bin, loose
change, tube train breaking systems and doors and an Ikea pizza cutter. His
intricate beats and rhythm are testament to his long-running drumming skills –
which in recent years saw him play live drum kit beats on top of frenetic drum
and bass DJ sets in German clubs – and his music conveys a strong range of
emotions within the limitations of deeper house and techno music.
“You just can’t get that type of material out of a synthesizer. And I'm also able
to, in a way, morph the listener into the atmosphere I had when I recorded it.
And depending on how much I tweak it afterwards it can be a very natural 'on
this earth' kind of feeling, or the exact opposite.” 
But it’s not all about 4/4 kicks and dancefloor mentality; as his stunning second
album Liqourice demonstrates. Produced with pleasing no-one but himself in
mind, it eschews the normal kick-clap/snare template by and large to explore
more interesting and progressive territories, but always with that trademark
magpie-like sense of texture, emotion and discovery. It’s an album to expand his
remit beyond the constraints of the dancefloor and into the wider realms of
beautiful electronic music.

"I called it Liquorice because I simply love real liquorice sweets, and I have
realised that it's something someone loves or hates. There's not much middle
ground, and there were probably 50% who like it and the others don't." 
2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards,
following on from his live show (Stimming doesn’t DJ) stunning the crowds at the
island’s legendary Pacha, and the finest danceries around the world – from
Berlin’s Panorama bar to Sao Paulo’s D-Edge, Brussels’ Fuse, London’s Fabric and
Paris’ Rex, and plenty more beyond. Remixes for the likes of Sascha Funke,
Claude VonStroke, Marc Romboy and Stephan Bodzin and Robert Babicz to name
but a few have further spread his influence amongst the discerning house and
tech community, and cemented his reputation as one of the scene’s most
exceptional producers.
Clearly, Martin Stimming is a precious talent indeed.

Stretching back much further than his first visit to a night club, Emerson Todd's musical heritage comes from a very, very early age. Named after a prog rock band, Emerson first learnt the art of music selection at a very early age. When the tapes or 12"s ran their course at family parties, It was a young Mr Todd that would change the music and with that came his first experience of learning how people react to different music.

Then with the family owned record shop, Emerson discovered his love of vinyl and crate digging, and the rest, as they say, is history.

Since then his musical journey has followed a geographical one, while traveling from New Zealand to Australia, London and now Berlin, Emerson has graced such labels as Saved, Upon You, One Records, Cocoon, Apparel Music and My Favourite Robot; a diverse selection of labels for an artists whose inspirations and sets come from an equally diverse background

DJ GABO (3PLUS TALENT - BRA) Alongside the major talents of South American DJs such as Hernan Cattaneo and DJ Marky, the Argentinean-born house supremo, DJ Gabo, belongs to that select group of DJ stars exploding into the World dance music scene recently.

Andrew Guyvoronsky started to produce music and dj in 1999.

After playing number of local gigs and messing with equipment,he has his first releases on respected & well-known labels of that moment such as Morris Audio (Switzerland), U-Freqs (UK).

In 2010 he gains attention & great feedbacks of top artists with his EP released on DJ Sneak's Magnetic Recordings. 1 track off that ep was licensed for Derrick Carter's Fabric compilation this year.

Andrew continued with his Parallelz Ep for Moscow based Shanti Records label, which get 5/5 marks from artists likeDeetron,Kenny Larkin,Loco Dice, Brothers Vibe, Falko Brocksieper, Tim Green, Dubfire, Tolga Fidan, Rene Breitbarth, Dan Drastic, Alland Byallo, Sian and was featured on John Digweed's Transition show by Shlomi Aber as well as in his promo-mix for 2011.

After that Tripmastaz was requested to produce ep for Vernon & Dacosta's Homecoming Music (Belgium) which was released early this year & has been supported by great feedbacks.

Tripmastaz remix work includes artists like KiNK, FEX, Iz & Diz, Johnny Dangerous (for N.Y. label Nite Grooves) , DJ Sneak (released on Nick Curly's Cecille Records) and Martinez (for Moon Harbour).

This year Andrew has been signed for Shlomi Aber's Be As One label & Real Tone (France)

At the moment his last single with remixes by DJ Sneak & Loco Dice making buzz & placed on Beatport's All Genres Top Downloads.

His next single with remix from legendary Chicago artist Green Velvet coming out this fall.

Eyke was born in the North of Germany and spent his childhood and early teen years on creative pursuits (drawing, writing and singing), soaking in inspiration from the meadows and forests amongst the abundant flowers and wildlife. In his young adulthood, he changed his home base several times, including the USA for one year, before he found his way to Berlin, where the meadows were replaced by city streets and the flowers by whiskey.

Eyke started making his own piano-based music under the moniker My Stillborn Brother, which over time developed into a more electronic sound. He found it important, however, always to use the computer simply as a recording tool, never programming, always capturing the spontaneity of his artistic process.

Now, after developing an admiration for and friendship with Bloody Mary, Eyke is putting his voice into the new context of her gothic dancefloor sounds. His first song with Mary, 'Spinning Around' from her Arabesque EP, compares the feeling of love with dancing in the club, starting off with overwhelming emotions and excitement, but sometimes getting too heavy, like becoming disoriented amid the crowd and the flashing lights. 'Spinning Around' is just the first collaboration between Bloody Mary and Eyke and offers a hint of what's to come on her sophomore album due in 2011.