Although widely regarded as a member of the true A-list of dance music, both in terms of production, DJing and label management, it was a chance meeting led to Anthony Middleton and Luca Saporito, an audio engineer/musician and working dj respectively, becoming Audiofly back in 2002.
Middleton was, in typical boffin style, experimenting with live surroundsound while Saporito was acting as in-house music selector at prestigious London store Selfridges but the pair decided to down tools and throw everything at their shared love of house music.
A bold move, but one which immediately began to pay off. The Audiofly name started to crop up regularly in the London scene and beyond via a series of edits, remixes and releases for underground imprints such as Fantastic House
and Deleted.

KLEMENT BONELLI (Analog / Defected / Krome - Lyon FR) Klement Bonelli is noticed in 2002 by Us Label Basement Boys. SInce that,

Alex Plastik is a DJ, producer and sound engineer from Paris, France.

He's curently producing and remix for the Geoff Clinton's Parisian label Atomic Soda records and with the hype crew from Nantes, Fat Beat Crooner.

He already signed with many different labels since 2003 (KW Records, PIP Music, Progrezo, FullBodySoundSystem, New Wave...), as a solo and duo artist (Urban Medicine, Pez & Plastik), and released several EPs, singles and loads of remixes.

As a DJ, Alex plays a mix of tech house and strong techno beats, mostly in raves, parisian clubs and underground events.

Lately, his remix for Plastikmanís ëAsk Yourselfí remix competition has just been selected and signed by M-nus.

SAMANTHA (aka Samantha Blackburn) a well recognised name within the London house music scene

Female dj, who mix for the fun and for pleasure.....

FRED INBHERG (CLASSICO CAFE Toulouse - fr) Fred Inbherg young dj Toulouse discovered a passion for music as a teenager.

DJ KARMINA , AKA MISS SIN (real name Cindy Milojevic) is a DJ and singer and Producer,
born on August 22nd 1985 in Créteil France.

Always on the lookout for new sounds and fresh music, the sets of this French-born,
Berlin-based Dj provide a fine example of what is happening at the moment.  
With the explosion of the minimal scene, Mary adds to hit her very own touch.  
She continuously expresses her love for the German sound every time she takes the
decks.
Bloody Mary grew up in the region of Aix en Provence. Her favorite musical genre
was new wave until she went to her first rave party and discovered the world of
electronic dance music. This revelation inspired her to give it a go herself, and she
did her first gig in Marseille only one year after acquiring her first pair of turntables.
Bloody Mary soon got booked all over the South of France, establishing herself as  
a strong figure on the techno scene.
 
2005: Bloody Mary held a monthly residency at Studio88 (Aix en Pce). Her
subsequent move to Berlin took her career to an international level. She regularly
played in various cities and clubs in Germany (Watergate Berlin, Harryklein
Munich...) and Europe (The End London, Rex Club Paris, Cassero Bologna...).  
This was only the beginning of her productive career.
 
2006: Having already focused on her Djing abilities, she set up her studio to make
tracks that will go along the lines of her favorite label! This led to her debut release,
"Apparence" on Sender Records.
 
2007: As a producer, she had her second release on Sender in addition to remix for
Nomor Records. As a DJ, she expanded her territory, which now includes South
America (Mexico, Ecuador, Colombia...) and North America (NYC).

Eyke was born in the North of Germany and spent his childhood and early teen years on creative pursuits (drawing, writing and singing), soaking in inspiration from the meadows and forests amongst the abundant flowers and wildlife. In his young adulthood, he changed his home base several times, including the USA for one year, before he found his way to Berlin, where the meadows were replaced by city streets and the flowers by whiskey.

Eyke started making his own piano-based music under the moniker My Stillborn Brother, which over time developed into a more electronic sound. He found it important, however, always to use the computer simply as a recording tool, never programming, always capturing the spontaneity of his artistic process.

Now, after developing an admiration for and friendship with Bloody Mary, Eyke is putting his voice into the new context of her gothic dancefloor sounds. His first song with Mary, 'Spinning Around' from her Arabesque EP, compares the feeling of love with dancing in the club, starting off with overwhelming emotions and excitement, but sometimes getting too heavy, like becoming disoriented amid the crowd and the flashing lights. 'Spinning Around' is just the first collaboration between Bloody Mary and Eyke and offers a hint of what's to come on her sophomore album due in 2011.

House - Tech HOuse

The undisputed king of Slovenian underground electronica. If you're not a newby in the never ending game of beatmatching and scratching,

A name that's been gaining increasing attention from the who's who of the underground electronic music community lately is London based DJ and producer jozif. The born and bred artist, who has worked his way to where he is today with his typical (to anyone that knows him) 'jozif swagger' - passionate, determined and wildly talent driven - has been charming the pants off the UK and Europe with his productions and DJ sets alike in recent years.

With an infectious and underlying groove to his rhythms - jozif has a unique presence in and out of the booth, encapsulating his floor and coaxing them alongside his ever changing musical explorations. Craig Richards, Ben Watt, Matt Tolfrey, Andrew Weatherall, Paul Woolford and Ashley Beadle alongside London's fabric, lo*kee and Ibiza's We Love...Space have all fallen hook line and sinker for jozif's quirky and impossible to pigeon hole beats. Loose and lazy drum patterns, dramatic strings and brass tinged with slo-mo ambience and a rolling undercurrent of funk depict a soundtrack all of his own that resonates with our musical heart strings whilst evoking the dirtiest bump and grit of a twisted 6am dance floor.

2010 was a solid year all round with releases on Wolf + Lamb, Vitalik and Fist or Finger gaining mass support alongside features on the Balance 016 compilation and an end of year RA podcast. Mixed entirely of his own edits, it's unique edge garnered such support from industry and public alike that it goes down as one of the most talked about RA podcasts to date and set the scene for a highly anticipated 2011. 2010 also saw the launch of Fist of Finger; jozif's limited edition vinyl only label with fabric musical director and long time buddy Craig Richards featuring jozif's dance floor A side's and Craig's experimental reinterpretations on the flip. The first release 'Beats In Space' was an instant sell out and the imminently released 'Brick Jane' and 'Room 3' look set to be just as in demand.

Kick starting 2011 with his 'Sunrise' EP on InFine - a plethora of influences span the four track ep which has gathered rave reviews all round. With upcoming remixes and releases on My Favourite Robot, Compost, No.19, Future Classic, Mobilee and Fist or Finger coupled with a packed international gig schedule - we can safely say the future is looking mighty bright for jozif. An artist who himself refuses to define or describe his sound and rightly so...the music plays testament to the fact that it is there to be heard and felt...not labelled.

In a sense, the Danish Tomas Høffding has everything he’s ever wished for in his life. He is happily in love.
He is the singer and bassist of the trio WhoMadeWho, a band that, thanks to their tongue-in-cheek disco
indie-rock and their enthusiastic shows, can always count on the raging applause of their international
crowds. Together with a handful of friends, he owns an old farmer’s house in Sweden, into which he can
retreat after exhausting tours and nerve-wrecking studio sessions.   
Despite all of these perfect conditions, until recently, the man from Copenhagen was missing something that
he created and defined on his very own. Something that would make him artistically independent of
WhoMadeWho. Something to which his colleagues Jeppe Kjellberg and Tomas Barfod would, if at all,
contribute nothing more than well-meant tips.
 
At first, he considered establishing a second living as an electro DJ. He had played in bands all his life and
had always been forced to compromise. At last, he wanted to make decisions according to his own moods.
“Then I realized I wasn’t born to be a DJ. DJ’s have to listen to about 1 billion new tracks every week and
always know what sound is the really hot stuff. As I tend to dive deep into the music I listen to, a DJ career
was not an option”, he reveals smirking.    
Instead of mixing other peoples’ tracks, he decided to produce them himself. He wanted to create tracks
which he could present at live solo performances in clubs with a small setup, consisting of a computer,
chimes and a theremin. Tracks you would start moving to on the spot. For the past two years, whenever he
was not touring with WhoMadeWho, he has been working almost non-stop in his new equipped studio. He
experimented with several of his electronic devices and once in a while, he picked up his acoustic guitar. His
spontaneous ideas were transformed into sparkling dance pop. “I wanted to write songs that weren’t
composed in the classical sense. Everything needed to come directly from the heart. This is why the most
stuff on my first solo album was created without any big thoughts”, the Dane, who is always in for a joke,
comments.
 
Under the pseudonym Bon Homme, he now releases 10 songs. Their electronic tinge is groovy in a subtle
way, and the atmosphere of many songs is carried by the noise of analogue synthesizers. The music lives of
spontaneously created melodies that we, in fact, only know from Krautrockers such as Cluster. He combines
poppy hooks with dry techno rhythms, almost childlike tone sequences meet psychedelic loops, and in the
next moment, it seems like Hot Chip teamed up with Kraftwerk. In the song “Heaviest Flower Of Europe”,
Høffding sings so dandy-like that one might believe that Brian Ferry in person gave him tips for the right tone